Review: Orchards // Losers/Lovers EP

Hailing from Brighton, Orchards, are one of the latest bands catching the imagination of the UK math rock scene. Not strictly 'math rock' but more 'math pop', their new EP combines the uplifting sounds of bands like And So I Watch You From Afar & Tiny Moving Parts with pop hooks and a sound reminiscent of Paramore's latest album.

Losers/Lovers opens with lead single 'Luv You 2', the bands first release after signing for Big Scary Monsters, and is the perfect introduction to the band. Prevalent with catchy hooks cemented by a sing along chorus it'll be stuck in your head from the first listen, whilst the math rock influence  means by the 20th listen you will still be finding intricasies you missed the first time round.

Not only does 'Luv You 2' set the musical scene for the EP but also in a lyrical sense; painting a picture of a lost love across the back drop of uplifting melodies, a style Orchards seem to have mastered.

These themes carry on through the next two tracks 'Drama King' & 'Be Here', which are both solid entries, but 'Double Vision' is the next real head turner on the record. It shows of the Orchards' ability to write a great pop song; catchy choruses & a brilliant sing along bridge will have it stuck in your head for weeks!

The second half of the EP begins with new song 'Age Of You', similarly to 'Drama King' & 'Be Here' the song further showcases the bands' ability to not only write singles but also high quality pop album tracks. However with it following 'Double Vision' you can't help but feel the bridge as been almost directly lifted from the previous song.

The record closes with 3 previously released songs; 'Peggy', 'Honey' & 'Darling'. This blend of old and new songs makes the EP the perfect introduction to Orchards but also comes across as a statement of intent. It demonstrates perfectly the evolution of the band and how they've polished their sound into something that could see them go really far.

8/10

Losers/Lovers is released on Big Scary Monsters on 6th July 2018 - Pre-order HERE

You can catch Orchards at TRUCK festival & ArcTanGent this summer

Review: Arcane Roots // Curtains

Arcane Roots, today, released the video for new track 'Curtains'. After their critically acclaimed EP 'Heaven & Earth', new music from the Scottish band has been eagerly awaited.

'Curtains' can be seen to build off of song 'If Nothing Breaks, Nothing Moves' in that the song follows a similar pattern. However 'Curtains' seems to be the 'final' version of the song from 'Heaven & Earth'. It has a more full, deeper and more complete sound and appears to offer up a brilliant taste of Arcane Roots rumoured upcoming album.

Stereo Brain // 2016 Awards Intro...

So in the wake of it slowly coming to the end of the year I'm going to announce the categories for the 2016 Stereo Brain awards.

GENERAL AWARDS
Album Of The Year: Goes to the stand out album of the year

Debut Album Of The Year: Goes to the most impressive debut album of the year
EP Of The Year: Goes to the best EP released this year
Disappointment Of The Year: Highlights the most disapointing album/song/moment by an established artist
Tuuuuune Of The Year: (Yes 5 u's!) The banger of the year! The song that's thee biggest ear worm

LOCAL AWARDS
Local Band Of The Year: The band local to the Cardiff area who has made the most progress and been the most impressive over the last year
Cardiff Festival Of The Year: The festival in Cardiff with the best combination of line up, local artist support and general feel.
Cardiff Venue Of The Year: The Cardiff based music venue with which has had the best shows, nicest atmosphere and been the most progressive in the Cardiff music community
Cardiff Promoter Of The Year: The Cardiff promoter that has both pulled the most impressive acts to the city as well as at the same time supporting local music

If you know of any acts/artists/venues/songs/albums that should be up for these awards that you think I may have missed, let me know! Contact me on fb: @stereobraindj, twitter: @stereo_brain

Stereo Brain // A Quick Note On New Vs Old Music

DJing in a nightclub can be difficult sometimes, especially in an alternative club - people don't just want a beat to dance to, they want songs they know. This can lead to stagnant sets, clubs playing the same music week in, week out because they know the reaction they get is a safe one. Very rarely in an alternative club, compared to regular clubs, will you hear a song released within the last 6 months played during the night.

I find this strange. Those of us in the alternative scene will often claim they don't listen to the same old manufactured drivel, but when it comes to a night out we'll rarely get that new song that's been making waves in the alternative community. It's a travesty, and I'm guilty of it too, I'd love to play a set of songs from 2016 - I mean I have more songs in my library from this year than any other - but people would leave. It's an issue with the community as a whole rather than exclusively in clubs. People like what they like and would rather spend £60+ on a gig to see an old band than spend £6 on a young band with a lot of promise which they may not know as well.

I find it hard to focus on finding old music, I don't see the benefit in it. I spend all my time focusing on what came out this week; I'm aware of where it came from and it's influences but at the end of the day whats coming out now is the hits of the future. So when I have people my age asking me to play songs from before they were born, my heart breaks a little inside.

Review: Cassels // You Us and They EP

"The you in this song is a real person..." Cassels second EP opens in a blunt and direct way. A style built to popularity by punk rock two-pieces like Drenge and Slaves over the last few years, the two brothers from Oxford now attack it with an apathetic yet youthful view on reality. It's refreshing to hear songs about the NHS and social media which don't dumb down or glamorise and Cassels achieve it without sounding unnecessarily crude.

'You Us and They' - the title track - attacks the political minefield of the NHS. "Why don't they gas the polling station as we line up to vote" lyricist Jim shouts at the climax to the track, a sentiment reflecting a large proportion of public opinion. At the end of the day that's what's going to make a band like Cassels, they're not easy on the ear - it's music for the angry but more importantly music with a meaning.

Once you take away the excellent lyrical part of the band you're left with something that is interesting and musically different. The jarring and jumpy punk riffs give Cassels a sound resonating with the new breed of 21st century punk that's slowly rearing it's head and yet retains an air of individuality.

In a time filled with the kind of discontent towards the establishment amongst young people not seen since the 70's, punk could be back and now that Slaves, Drenge and many more have opened the door to the wider audience, it could be Cassels time to burst right through it. Everywhere in this EP from the politics of 'You Us and Them' to the apathetic attitude of 'Ignoring All The Tunnels & Lights' and the frantic 'Well Fed Worms In A Graveyard' this EP screams potential.

(8.5/10)

-Luke

The EP is released on 12th August 2016 via Big Scary Monsters with two EP release shows before and after the date

Cassels also head out on a co-headline tour with itoldyouiwouldeatyou in September:

11th September - Green Door Store, Brighton
12th September - Whiskey Jar, Manchester
14th September - Santiagos, Leeds
15th September - The Cookie, Leicester
17th September - Birthdays, London

Review: The Broadcasts // The Broadcasts

If you've spent enough time going to gigs in Cardiff you'll have inevitably stumbled across The Broadcasts. In only the last few months they've supported the likes of October Drift, The People The Poet and more, and if you were lucky enough to catch them, you'll know their first album could be a force to be reckoned with.

Their self-titled debut opens with the energetic and catchy blues rock of Down The Line and The Future. Both songs get the blood pumping before the album takes a breather on Western Lands; the first 3 songs on the album demonstrating The Broadcasts ability to write songs at any pace not only with a common sound but with an infectious one too. The simple but interesting style to their music will have you singing along by the second or third listen.

The fourth song on the LP - 'This Is Life' - is the lead single of the album and it carries a more country feel and demonstrates further the bands ability to write an infectious and yet a musically sound song. With the kind of chorus' that you would happily shout along to throughout the album, almost any song could have taken the lead single slot.

However The Broadcasts are not a one dimensional band and are not just about those sing a long catchy tunes. In 'The Road Goes On', 'What It Meant To Me' and the closing song 'What We've Become', the band shows a more delicate and polished touch to their music. 'What We've Become', in particular, shows a more sombre sound to the band - a sound you here in glimpses throughout the rest of the album - and is really developed in the closing song. It's by no means a stretch to call the closing to the album an epic, with delicate piano parts building into an anthemic chorus it brings the bands sounds together and ties up the album brilliantly.

An exciting and well-rounded debut from the Cardiff band; catchy, thoughtful and epic all at once. (8.5/10)

- Luke

You can catch The Broadcasts at their album release show at Clwb Ifor Bach in Cardiff on 17th June