Review: Joyce Manor // Cody

Recently a new brand of emo has been emerging. Gone is the emo influenced by rock & metal - the kind that launched My Chemical Romance to fame - and in is a new brand fronted by American bands like Modern Baseball  and Into It. Over It in a style that reflects influences from 90's and 00's pop punk and grunge. Joyce Manor are one of the latest crop of bands that fit that template.

'Cody', their 4th LP and second on Epitaph Records, is out October 7th and with it the band have taken a slight musical turn. Their first 3 albums demonstrate the bands' ability to propuce lo-fi grungy emo with fuzzy guitars, meaningful lyrics and a lack of a serious melody. This latest outing doesn't ditch these ideas but develops them to create a much more musically diverse Joyce Manor.

'Fake I.D.' - the first song and single on the album - demonstrates this evolution at it's best; with a bouncing melody running through the song, it has the feel of a tune that could define the new side of the band. However as soon as that short 2 minutes is over, the album drops into 'Eighteen'. A song which tackles their previous sound but sounds much more mature and though out. It reflects the theme of the album - not only musically but within the lyrics - of maturing. After the song examines the thought of looking back at a foolish, young and worried eighteen year-old self lead singer Barry Johnson let's out "I feel old today" in a way that isn't jaded but instead almost triumphant.

A couple of songs later you the second single from the record - 'Last You Heard Of Me' - bursts on the scene which, at just over 3 minutes, is one of the longest tracks on the record. This song follows the grungier style template of the bands earlier work but approached with a renewed maturity. Rather than a barrage of sound, the song feels more structured and musically strong, a theme that seems to run through the whole album. As a band Joyce Manor have never spent more than 10 days in a recording studio until this release, and you can really tell. Having spent 2 months plugging away in the search of 'Cody' it appears that this new approach has really payed off.

Nothing sums this up more than the closing tune on the record. 'This Song Is A Mess' is anything but a mess, it bounces along with a renewed youthfulness which echoes of their contemporaries in Modern Baseball. This song is a refreshing and playful end to a mature and, at times, serious album about growing up not just in life but within the bands music. It is by far Joyce Manor's most accomplished and complete work to date and leaves the listener itching to hear the next chapter in this evolving bands story.

(8.5/10)

-Luke  

Review: Modern Baseball // Holy Ghost

Modern Baseball are affectionately called MoBo by fans

A lot of people treat pop punk as blanket term for generic songs about hating your home town and missing your girl/boyfriend. It's the term people associate with 'Teenage Dirtbag', Blink-182, 'In Too Deep' and scrawny guys wearing tank tops and snap-backs. It's even a phrase which has become synonymous with pizza....

"He's been haunting my dreams at night....."; Modern Baseball's new record 'Holy Ghost' opens with a slow, sombre title track which band member Jake Ewald wrote about the death of his grandfather - not your typical 'Pop Punk' song. That's what initially strikes you about this record, it's pop punk but not as we know it, the sound and style is there but gone is the generic lyrics and strong themes designed to help the listener connect. Instead this is a very personal album from the boys from across the pond, not dealing in the vague and relatable but instead in the specifics.

With the LP split in two with the first half written by Jake Ewalds and the second half by Brendan Lukens each portion has its own unique qualities and personal touches and yet comes together brilliantly as a whole.

In songs 1 to 6, Jake takes the reigns steering the album through the style synonymous with the bands first 2 albums but a lyrical style that comes across as more personal than reflected on previous outings. The song 'Holy Ghost' feeds into 'Wedding Singer' which is what one would call a 'classic' MoBo song. The subject of the first music video of the album, the song (and video) reflects one part of the theme for Ewalds half of the album - finding someone. The rest of Ewalds half follows suit with building on a sound which the band had previously cemented as their own.

On the B-side Lukens takes over and introduces a slightly 'thrashier' sound to the band which has only been seen in glimpses on the previous albums. Each song is a short burst of a dark room, lonely night shout along. Last year MoBo cancelled a series of dates so that Brendan could go to rehab having being diagnosed with bipolar disorder - a subject which is covered in their documentary 'Tripping In The Dark' - and the struggles he has faced are covered in the second half of this album. This comes through clearly in the last song 'Just Another Face' which attacks the subject in a refreshingly honest and frank way - opening with "I'm a waste of time and space / Drifting through my selfish ways" - the song reflects how difficult it was for Lukens to open up about the subject and how facing his problems effected him and the band.

Despite Lukens and Ewalds attacking different themes in each side of the record, it somehow comes together as a whole and becomes a musical biography for the band since the release of 'You're Gonna Miss It All'. Each personal touch on this record dispels the theory that something must be generic to be relatable and will, without a doubt, grow Modern Baseball's already substantial following.  - (9/10)

-Luke

The Front Bottoms // The Globe // 11.02.16

In the cute upstairs of a little venue in the outskirts of Cardiff city centre the Front Bottoms took to the stage and no one could have anticipated the show they would put on.

The support took to the stage – Kevin Devine & the Goddamn Band – probably better known for their work with Manchester Orchestra on joint project Bad Books, they played a cracking set with the crowd bobbing along appreciatively. Then with a lovely speech on how they had fallen in love with the band they were supporting years ago and how they loved coming to Wales followed by the last song of the set, they were gone.

Kevin Devine @ The Globe

The anticipation started to build, the shuffling of feet to get to the front, ready for what everyone had come to see. The lights dimmed and then blasting through the speakers came ‘that song from Titanic’, everyone was taken back a bit then proceeded to shout their heart out to a classic, then The Front Bottoms walk onto the stage and play the beat of "Wolfman" and all hell breaks loose.

For a band best described as sad pop punk and on CD don’t sound crazily energetic, they know how to put on an energetic show. Within seconds there was pushing, shoving, moshing, bouncing and crowd surfing, they reduced a whole room of people to a sweaty mess within a space of a song or two, it was fantastic.

The Front Bottoms @ The Globe

As they tore through an explosive set with the crowd bouncing and shouting back every lyric the bands set came to a triumphant rendition of their hit song “Twin Size Mattress”. A very emotional song with a lot of energy, everyone in the room screamed it back providing a spine-tingling end to the show as the lead singer pushed his way through the crowd, getting mobbed by fans, the band played the song to a finish, leaving the crowd stunned. What a set and what a night

-Luke

Neck Deep // Cardiff SU Great Hall // 05.02.16

From midday anyone who walked past the Cardiff University Students Union on Friday would have seen the mass of teenagers with snapbacks, band shirts, skinny jeans and foil blankets braving the February winds to get in the prime position for the gig later that evening. For them and many others 7pm couldn't come quick enough as tonight there was a stellar line up of bands. As the day rolled on the queue grew bigger and bigger and by the time doors were open it was most of the way down the street and the floods of emo kids poured in for the first band.

Light Years exploded on to stage with a tried and tested formula of aggressive pop punk, nothing special but a good old fashioned american pop punk band. They ripped through songs off of their new LP and the crowd nodded along appreciatively, but this was only the start of the show.

Light Years @ Cardiff SU Great Hall (Supporting Neck Deep)

Creeper came next, a band on the rise and who are quickly achieving cult status among fans , especially in their hometown of Southampton, they ripped through their set whipping the crowd into a frenzy; mosh pits broke out and the first crowd surfers of the evening made an appearance. They were everything you'd want in a support act; exciting, energetic and something a bit different. With a new EP on the horizon I really wouldn't be surprised if Creeper quickly shot up into popularity in the emo/ pop punk scene.

Creeper @ Cardiff SU Great Hall (Supporting Neck Deep)

With the capacity crowd riled up and ready to go State Champs hit the stage bringing their own brand of american pop punk to the stage. They rattled through songs old and new and some crackers from their latest album 'Around the World and Back' and had most of the crowd shouting a long, moshing or both. And with that the lights dimmed and a buzz filled the room, the anticipation for the next act, the shuffling of feet to get to the front as the lighta dimmed for Neck Deep.

State Champs @ Cardiff SU Great Hall (Supporting Neck Deep)

With an explosion of noise Neck Deep burst onto the stage smashing out the first parts of 'Citizens Of The Earth', the crowd bounced and swarmed in response. Known for degrading their own music on their album; "Neck Deep? They're shit mate", the crowd seemed to disagree with the pop punk band from Wrexham shouting along to every song, mostly from their new album 'Life's Not Out To Get You' but also some older tunes as well.

Neck Deep @ Cardiff SU Great Hall

Finishing the main set with the cracking 'A Part of Me' they burst into an encore, playing 'Head To The Ground' and a full-band version of 'December' before closing with fast paced hit 'Can't Kick Up The Roots' off of the latest album. Every fan left happy and sweaty from a mental gig. Neck deep  are only going to rise and rise in fame as they progress as a band, the future is bright for this band from Wales.

-Luke

Panic! For The Pop Punk Kids

Review: Death Of A Bachelor // Panic! At The Disco

I've never been a huge listener of Panic! At The Disco but this week the band released a new album. Well, I say the band, but in reality it's Brendan Urie's brain child as the 2 other members have been dropped since the last album.

In the same way that pop punk legends Fall Out Boy did last year, there is an air of Urie's music swinging more to the pop end of the spectrum. This comparison, however, goes further than this because at points in this album you wouldnt be able to tell if it was Panic! or Fall Out Boy. This is not necessarily a bad thing, Fall Out Boy are enjoying huge success right now, but the turn this album has taken may disappoint a lot of the bands fans as the music is a big step away from their original sound.

Despite this the album is full of catchy songs, well written and at some points arching back towards the style of Frank Sinatra, an odd mix but Urie pulls it off very well. Despite this it does seem like Urie is attempting to reinvent himself and Panic! as a pop punk Michael Buble.

In the end, this is a fun, funky album but a long way from the bands origins which may dissapoint a few, nonetheless a solid bit of musical work from Urie - 7/10